Everything we made, and what it cost.

A shape system cut from the courtyard’s floor tiles, used on menus, aprons and a neon sign that switches off at 23:00.

A 312-page almanac of the river: tide tables, recipes and ferry timetables, set in two colours on uncoated paper.

An identity and a shop that feels like the studio shelves: glaze colours as the only palette, and every product shot in the same north light.

An annual report where every number sits on its own page, big enough to argue with.

Boxes that open like a bakery counter: sweet on the left, salt on the right, and a paper band that doubles as a recipe card.

Exhibition graphics for a show about the river, printed on offcuts from the gallery’s own framing shop.

A specimen book and a quiet identity for a foundry that wanted its typefaces to do the talking.

A catalogue site where every book opens to its first page, so readers judge the writing, not the cover.